In which we finally find out why Palamides missed that date with Tristan (see Part 1).
Eventually.
Continue reading “The Forgotten Round Table: Sir Tristan Part 2”
In which we finally find out why Palamides missed that date with Tristan (see Part 1).
Eventually.
Continue reading “The Forgotten Round Table: Sir Tristan Part 2”
One of the things that fascinates me about the Arthurian canon is not just the weirdness of what’s in it, but the number of things that are left out of it. We can’t tell from this distance whether these holes in the narrative have always been there–it’s easy to imagine an oral tradition that was at one point common knowledge going out of fashion, or failing to be transmitted to a new population, so that what eventually got written down was missing things that at one point previous, everyone just knew.
Enter – and quickly exit – Sir Borre.
…There came a damosel that was an earl’s daughter: his name was Sanam, and her name was Lionors, a passing fair damosel; and so she came thither for to do homage, as other lords did after the great battle. And King Arthur set his love greatly upon her, and so did she upon him, and the king had ado with her, and gat on her a child: his name was Borre, that was after a good knight, and of the Table Round.
–Malory, Thomas. Le Morte d’Arthur (p. 18). Neeland Media LLC. Kindle Edition.
I can already hear you thinking, He’s not a forgotten character. This is absolutely true, however there’s a lot of hilarious stuff that gets left out of modern adaptations, which tend to foreground the love triangle.
I’m going to stick with Malory for this post, because I’m still grinding my way through Chretien de Troyes. The stories are, of course, inconsistent. Malory tried, but continuity wasn’t actually a thing yet, so even within his one collection, there are points where the passage of time just doesn’t work, and the characterization is wobbly at best.
Which Bits?
If you’re skimming the 500-odd pages of Le Morte D’Arthur for Lancelot stuff to read, you can skip the first four books entirely, because his only appearances are in Merlin’s prophecies. Of the remainder:
Continue reading “The (Kinda) Forgotten Round Table: Sir Lancelot”
This is going to be a short one, I’m afraid, but who says a blog entry has to be long to be useful? The Camelot Project is available thanks to the University of Rochester, and it is amazing. I first ran across it while I was writing The Prometheus Tapestry; I was looking for source material on Gawaine other than the Green Knight poem. The collection is not exhaustive, of course, but it has a lot of useful texts and artwork online (the reference sections are not thorough built out at this point).
The quality varies widely, but there’s plenty of good stuff, and a lot of writers who were unfamiliar to me. Other than the wealth of poetry and stories from centuries past (some of which are usefully footnoted), of particular delight is Raymond Thompson’s series of interviews with late-20th-century authors who have written in the Arthurian world. There sure are a lot of us. 🙂